Showing posts with label Carib. Show all posts
Showing posts with label Carib. Show all posts

04 December 2017

Yefan, son of the First Peoples

Originally published in Newsday 
By Tenisha Sylvester
Photo by Enrique Assoon
Sunday, October 8, 2017 

Yefan Sealey shows how his ancestors would have wielded a spear.

Ten-year-old Yefan Sealey is taking pride in his heritage, as he is a descendent of the indigenous people in Trinidad and Tobago.

"I feel very happy that I am a descendant of the First Peoples, it's exciting," said Yefan last Thursday at the Santa Rosa First Peoples Community Centre, Arima.

Yefan means strength and in his daily life he manages to eat a nutritional diet and his favorite foods are corn pastelles and cassava bread. He enjoys listening to parang music which is popular at Christmas time. Parang in TT is also a hybrid of Spanish and Amerindian music.

With less than a week left, the community centre is filled with people working feverishly on props, building huts and practising their singing all in anticipation of the First Peoples holiday on Friday 13.
Yefan explained that many still think that the First Peoples were war-like.

Arima was the home of the Nepuyo tribe whose active resistance to Spanish Rule limited Spanish attempts to control and settle in northern Trinidad. "Even though the best known of the Nepuyo was the war chief, Hyarima, who continuously harassed Spanish settlements from his base in Arima, they were peaceful people despite the war-like nature Columbus recorded. What they did was stand up for themselves against outsiders."

A statue of Hyarima is located in the heart of Arima. On May 25 1993 it was unveiled, in keeping with the theme of -The year of the Indigenous People.

Living in Valencia, Yefan visits the Community Centre twice a week where he learns about the history of the indigenous peoples; that they were nature-worshippers who believed in the Great Spirit who is the God they cannot see but is always present.

"I have also learned that places named Caroni, Arouca, Caura, Tunapuna and Oropouche have Amerindian origin."

He also partakes in the First Peoples rituals where they pray, chant, dance and play their musical instruments like the chac chac, whistles and drums.

"I also enjoy learning archery there because that's one of the main ways the indigenous people hunted for food and I am looking forward to seeing the lighting of the smoke-signal on Friday."

The lighting of the smoke-signal symbolises the beginning of celebrations for the First Peoples community and is followed by a series of ceremonial prayers.

The intelligent standard three student attends Christian Primary Academy, Elementary School where his favourite subjects are science and art.

" I love science because I learn a lot of things about technology and I love art because I like to draw and paint."

Yefan's goal is to become a scientist or an artist because he wants to use his creativity to invent something that could be used by everyone, to make their lives easier.

This straight-A student is encouraged to pursue his dreams by his mother Chelese Arindell , grand-mother Sheila Cumberbatch and the entire First Peoples community.

Yefan enjoys playing with his dog, Ninja and in his spare time he creates colourful drawings and paintings.

The First Peoples celebration begins on Friday at 7am in Arima for the lighting of the smoke-signal. Then there would be a sacred street procession to the Arima Velodrome where various exhibitions would be set up in honour of the indigenous peoples. At 11am there is the formal opening with the Prime Minister, leading up to the concert at 4pm.

" I am really excited and looking forward to taking part in the street celebration on Friday, I encourage everyone to come see the festivities because it will be amazing."

14 August 2015

Being Amerindian in Trinidad

My name is Tracy Assing and I’m the only Amerindian in Town [Editor: in Trinidad, "Town" means the capital, Port of Spain].

I only have one brother but I think of myself as coming from a large family in Arima. Because my extended family has always had a huge presence in my life. I live in Cascade now.

My mom’s family lived at the top of the hill and my dad’s at the bottom, along the river bank, lots of aunts and uncles in-between. The Carib Queen, Valentina Medina, was my grandfather’s sister. I spent my early childhood up the hill, down the hill, exploring the river, watching it change with flooding and quarrying and pollution.

All the women in my family were schooled under the Catholic church from the time of the Arima Mission. I went to Catholic school. I understood it as formality and ritual. But I wasn’t “raised Catholic.” The forest is a temple. The waterfall is a place of worship. Nature takes its course. After we die, we go on to feed other life. Life everlasting.

Around the world, indigenous people have been swelling Catholic ranks for centuries. A common conversion tactic was the replacement of the Earth Mother with a Catholic representative: the Virgin Mary, Santa Rosa, etc. So they would, we would, go to church, but still hold on to our belief systems. I had formal religious instruction at the church and at school. I was very good at it.

For us, our Amerindian heritage is a way of life. Relationships with the river and the forest, with animals we raised and hunted were cultivated  very consciously. I didn’t think it particularly unique until I started going to school. First history lessons are inevitably that the island’s first inhabitants were decimated and the indigenous then disappears from the historical record.

I pray all the time. To the sun. The moon. The ocean. The river. The mountains. The land, so things can grow. The plants. I give thanks for everything I encounter, good and bad. I go in the forest. I am distracted by my worries. I stump my toe and fall down. I learn to pay attention to where I am going. I learn patience.

I was diagnosed with hyperactive thyroid at age 13 and docs wanted to put me on lithium and radiation. But I don’t take any of the classically—read “medically”—prescribed treatments. My dad started me on yoga and New Agey/Amerindian potions and crystals, changed my diet and for the most part it has worked. But it is hard for me to relax. I can’t even float. The closest I get to relaxation is having a hand-rolled “bush cigar” in the forest.

Instead of a teddy bear, I had a teddy cat. I share my apartment with a cat called “Cat.” I wanted to honour her wild, natural life and didn’t give her a “human name.” Although the landlady calls her Ninja. We talk often and she likes it when I call her, “Wild Girl” or “Sweet Girl”. (The cat, not the landlady.)

As I grew into being a writer and recognised the power of published work, I felt compelled to write the indigenous back into the story of these islands. My documentary, The Amerindians premiered at the Trinidad and Tobago Film Festival in 2010. It won best short documentary at Toronto’s Caribbean Tales last year and is being used in Caribbean Studies and Indigenous Studies classrooms at several schools in North America.

There were many reasons for indigenous people not to stand up before: being called uncivilised or cannibal. A beer is a Carib, right? And Arawak sells chicken. I think we will find that indigenous blood runs through the veins of a greater section of the population than we have allowed ourselves to imagine.

Being Amerindian is important to me and to my family. It isn’t all that I am but it is the who I am that I will always represent.

The best thing about being the only Amerindian in Town is that no one asks any questions when I disappear into the bush. The worst thing is (dealing with) the people who treat the place like they’re visiting. And they are terrible visitors at that. The other day I found a beer can stuck in the stone underneath a waterfall.

“Trini” is the title conferred to someone born here.

My blood is in the soil of Trinidad and Tobago.

Originally published on August 3, 2015, by the Trinidad Guardian

07 November 2014

The First Peoples Narrative in Trinidad and Tobago

The First Peoples narrative

Originally published here
By Bridget Brereton
November 5, 2014


In my last few pieces, I’ve been writing about different narratives of T&T’s history—last time I looked at the Chinese-Trinidadian narrative.
 
There’s another old/new narrative of our past which is rightfully gaining much more public recognition these days. This is the Amerindian or First Peoples narrative, which puts the indigenous (aboriginal) inhabitants of the two islands at the centre.

A magazine type supplement was published by the Lloyd Best Institute of the West Indies and printed by the Express last month, in connection with the First Peoples Heritage Week 2014. Its several essays provide an in-depth version of the narrative. The authors include community leaders like Ricardo Bharath Hernandez and Rabina Shar, historians or archaeologists (the late Peter Harris and Angelo Bissessarsingh), and younger activists like Tracy Assing, who made the excellent film The Amerindians in 2010.

The narrative has a political (not party politics) agenda: to write the First Peoples back into the national (and regional) story. For too long, the “extinction narrative” has prevailed in T&T and the Caribbean islands (not in Guyana or Belize). This insists that all the Amerindians were “wiped out”, they “disappeared”, and they are no longer part of the living history of these islands. (As someone who has written about T&T’s history, I am as guilty as anyone).

This “extinction narrative” was linked to an argument about “purity”: No “pure” Amerindian descendants have existed in T&T since the 1800s, and mixed-race people with surnames like Bharath or Assing have no right to claim indigenous identity. We need only to think about the nature of T&T’s present-day population to see how ridiculous this argument is.

It’s the group led by Bharath Hernandez, originally called the Santa Rosa Carib Community and more recently renamed the Santa Rosa First Peoples Community, which has done the most over many years to insist that the story of our indigenous peoples is the foundation of the nation’s (and region’s) existence. And, more than that, to insist there are still thousands of people in T&T today who are descended from those peoples, even if they don’t (yet) know it. There is also a newer organisation, the Elders Council of the Warao Community, which is based in the south and represents the Warao people.

In 2005, Canadian anthropologist Maximilian Forte published an excellent book with a very long, typically academic title: Ruins of Absence, Presence of Caribs: (Post) Colonial Representations of Aboriginality in T&T. This book narrated the history of the islands’ Amerindians during the colonial period, and documented the efforts of the Santa Rosa Carib Community to claim indigenous identity and to seek greater public recognition for the people it spoke for.

Of course this is an academic work, with a limited readership, so the supplement published last month, with its short, simply written essays, is very welcome. Hopefully, it introduced many readers to the First Peoples narrative of the nation’s history, and informed them about the efforts being made to raise public awareness of our indigenous heritage.

Speaking at the launch of First Peoples Heritage Week last month, President Anthony Carmona called it a “statement of resilience” and expressed a “sense of pride in history emanating from them” (the representatives of the First Peoples). Past wrongs can’t be altered, he noted, but we can influence the present and future. (Sunday Express 12 October).

It’s important to understand and support the multi-faceted movement to ensure our First Peoples are re-inserted into the historical narrative of T&T. The statement from the Ministry of National Diversity and Social Integration (co-sponsors of the Heritage Week along with the Santa Rosa First Peoples Community), “The foundation of our society is built on the legacy of our First Peoples”, should be taken seriously.

Trinidad: First Peoples Heritage Week, 2014

03 August 2011

The Caurita Stone and Trinidad's Caribs

First published as:
Caurita Stone a Carib legacy
By Heather-Dawn Herrera
In the Trinidad Express, 14 July 2011

Since 1995 when the existence of the Caurita Stone was first publicised in our local newspapers, there has been much speculation as to the origins and meanings of the etchings on its surface. Back then, the stone was known as the "Mystery Stone of Caurita".

Today, the site, in the hills of the Maracas Valley where the stone is located, is the main destination of hikers and descendants of Amerindian ancestry.

Ricardo Bharath Hernandez, chief of the Santa Rosa Carib community, and Cristo Adonis, shaman for the community, led us on a trip up to Caurita, which included members of the National Heritage Council Rawle Mitchell and Niketa Yearwood.

Adonis, well acquainted with the natural vegetation of the area, pointed out several plants that usually go unnoticed by the untrained eye. The roots and leaves of most of these plants are composed of important medicinal ingredients for various illnesses and diseases. Adonis identified many of these precious plants amid the understorey of the forest.

As the trail wound through estates of cocoa, coffee and mixed species of forest, a bubbly stream criss-crossed the way several times. Immortelle trees provided sanctuary for oropendolas, busy as always with the duty of building nests and caring for their young. A large ficus tree welcomed a bay-headed tanager onto its shady bough.

It was just below the area of a large bamboo stool that Adonis revealed how he first found the stone.

"I was in these hills searching for the stone. My little son was with me at the time. When we reached this bamboo stool, an agouti dashed up the ridge ahead. My son said, 'Where the agouti run is where the stone is.' We headed up this ridge, following the direction of the agouti, and found the stone alongside the track."

Eager now to reach the stone, our party headed up the ridge, and just as Adonis had described, there it was, sitting prominently at the side of the trail.

The height and width of the stone is roughly six feet by eight feet, and drawings have been etched into the top half of its exposed surface at the front. These drawings show faintly between the growing mosses that carpet the stone. Mitchell promptly got to work cleaning the stone, so the depictions on the surface could be seen clearly.

Members of the Santa Rosa Carib community view this stone as having special spiritual significance and regard it as part of their natural heritage. Some of the etchings identified depict a chief, other people in ceremonial wear and a deer.

The chief and the shaman present gave offerings to the four porters or gateways: El Tucuche to the north, El Cerro del Aripo to the east, San Fernando Hill to the south and a mountain in Venezuela's Paria peninsula to the west.

It is agreed among Amerindian communities in Trinidad that etchings on the stone bear spiritual significance. The site of the Caurita Stone is now regarded as an important part of the ongoing quest for knowledge and understanding of Amerindian ancestral occupation and life on this island.

Sites such as this bear testimony that our First Nation did set the path for our present way of life and so, as an integral part of our anthem, do represent an important part of our heritage for the future.

01 August 2011

The Chief's Prayers

Today is both the start of the month of Santa Rosa for the Carib Community in Arima, Trinidad & Tobago, as well as African Emancipation Day. Sometimes the two events are jointly celebrated on top of Calvary Hill in Arima, where the events begin at 6:00am with the blasting of the cannon. As that cannon is blasted, this post is scheduled to go up. Usually a smoke ceremony is held by the Caribs, and this is a collection of some of the prayers used by Chief Ricardo Bharath Hernandez. Best wishes to the Carib Community and Happy Emancipation Day!

LOKONO PRAYER

Adaiahiili Tamushi Anshika ba
O Great Spirit God give us your
Maiauhii daiba wai koma anshihi
Peace so we can love as you love us
Amarita mun sakwa daiba
Make us healthy so
Wai koma kamunka usahu kahiihii
We can have a good life
Wa chin achi waianchicha
We praise you O Lord

AMERICAN INDIAN PRAYER

Oh, Great Spirit
Whose voice I hear in the winds,
And whose breath gives life to all the world,
hear me, I am small and weak,
I need your strength and wisdom.
Let me walk in beauty and make my eyes ever behold
the red and purple sunset.
Make my hands respect the things you have
made and my ears sharp to hear your voice.
Make me wise so that I may understand the things
you have taught my people.
Let me learn the lessons you have
hidden in every leaf and rock.

I seek strength, not to be greater than my brother,
but to fight my greatest enemy - myself.
Make me always ready to come to you
with clean hands and straight eyes.
So when life fades, as the fading sunset,
my Spirit may come to you without shame.

(translated by Lakota Sioux Chief Yellow Lark in 1887)
published in Native American Prayers - by the Episcopal Church.

LOKONO-ENGLISH PRAYER

We send our prayers to the Great Spirit
Adaiahiili Tamushi
Whose manifestation we see in the spirit of the hawk,
Whose spirit we see in the mighty wind,
Whose spirit manifests through the sacred fire,
Who gives sustenance through the waters,
Who is ever-present in the forests,
And who gives us the provisions of the earth.
And through Santa Rosa,
We ask that he may receive our prayers,
As we pray for forgiveness,
As we pray in thanksgiving,
As we pray for continued blessings
For our Community,
For our Borough,
For our nation,
And for our world.
Amen.

Here are some more prayers in the various Indigenous languages of the Caribbean:

THE LORD’S PRAYER IN THE MAINLAND CARIB LANGUAGE

Kioumoue tetaniem oubecouyum:
santiketàla eyeti:
membouilla biouboutou malibatali:
Mingatte-catou-thoattica ayeoula tibouic monba cachi tibuic-bali oubecou.
Huere-bali im-eboue bimàle louago lica hueyou icoigne:
roya-catou-kia-banum huenocaten huiouine cachi roya-ouabàli nhìuine innocatitium ouaone.
Aca menépeton-ouahattica toróman tachaouonnê-tebouroni:
irheu chibacaiketa-baoua touaria toulibani-hanhan-catou.

THE HAIL MARY IN THE CARIB LANGUAGE

Mábuiga María
Buíntibu labu gracis
Búmañei
Abúreme biníuatibu
Jádan sun
UUríña biníuatiguiyé
Tin bágaim Jesus.
Sándu María lúguchu
Búnguiu
Ayumuraguabá uáu
Gafigontíua
Uguñetó, lídan
Ora uóuve. Ítara la.

THE LORD’S PRAYER IN THE WARAO LANGUAGE

Karima, najamutuata jakutai,
Jiwai yatomanetekunarai.
Jirujuna rujanu rijana.
Najamutuata jiaobojona eku abaya.
Raina eku monukajase jiaobojona eku abakunarai.
Kanajoro ama saba jakutai taisi kamoau.
Kaisiko asiraja nonajakutai taisi kuare barinaka kaobojona bereaoko.
Taisi monuka kaobojona asirajasi kuare barinaka bere.
Kayakara minaka jau.
Tiarone asiraja arotuma amojekumo kejeronu.
Iji are Airamo tane rujakitane ja.
Iji are jijara taeraja.
Iji are Airamowitu.
Amén.

25 July 2011

The Santa Rosa Carib Community of Arima, Trinidad and Tobago: A Video Introduction

Carib Community of Arima, Trinidad and Tobago from Maximilian Forte on Vimeo.

This video introduction is the start of a long overdue series of video documentaries to come, this one focusing on photography and providing a condensed overview of the key themes in the history, politics, and culture of the Caribs of Arima, Trinidad. It also presents much of the material of what used to be available on the website of the Santa Rosa Carib Community, which has since expired and which has not yet been replaced by Indigenous members of the community (I am the former webmaster)--although it remains archived here. (In addition, see this tremendous effort to put material about the Carib Community online, by primary school students in Trinidad, hosted by the Ministry of Education.) With time, I will be posting the best of the materials from the former Carib Community website, so that they are still "active" online.

The video above is based on both ethnographic and historical research. The contents of the video are organized according to the following sections:

1. The Mission
The loss of lands under colonial rule; racism; displacement.

2. The So-called "Extinction"
How the Caribs were abolished by the stroke of a pen; historiography; stereotypes; censuses; "the only real Carib is a pure a Carib, and the only pure Carib is a dead Carib".

3. The Traditions
Loss of land, but perseverance of the essence of indigenous affectivity: belonging, Home. The mutation and multiplication of traditions: glimpsing what the Caribs mean by retained, maintained, and reclaimed traditions.

3-A. The Santa Rosa Festival
Processions. Gathering together.

3-B. Work duties for the Santa Rosa Festival
Carib labour; maintenance of a Carib hold on Trinidad's oldest public festival.

3-C. The Smoke Ceremony
Indigenous resurgence, reclamation, shamanism. Indigenous language reacquisition. Prayers.

4. The Resurgence

A focus on key actors in the Carib Community, and the role played by Indigenous Peoples outside of Trinidad who visit the Arima Caribs.

4-A. Chief Ricardo Bharath Hernandez
How he started the resurgence. Formation of the Santa Rosa Carib Community as a new organization. Being landless.

4-B. Shaman Cristo Adonis
The shaman is the one who sings--a short overview of Cristo Adonis' work in the community.

4-C. Carib Queen Justa Werges
Extensive quotations on the role and power of the Queen, the vision of Just Werges.
--Brief notes on other Carib Queens (in this video, a total of four appear: Maria Werges, Edith Martinez, Justa Werges, and Valentina Medina)

4-D. International Indigenous Connections
Selective, based on the photographs available: Assembly of First Nations of Canada, Assembly of Manitoba Chiefs, Federation of Saskatchewan Indian Nations, Tainos, Australian Aboriginals, Dominica's Gli-Gli Carib Canoe, Guyanese weavers, Surinamese singers.

5. The Question of Recognition
The paradox of recognition as another act of dismissal. How the Caribs have been monumentalized, enshrined, museumized, and continue to be stereotyped and appropriated. The national mainstream media. State support and government recognition.
Yet, the state will only recognize one single organization, and only then after having pushed it to formally incorporate itself as a limited liability company, which is the legal status of the Santa Rosa Carib Community.

Funds provided to the Community are for the purposes of mounting shows and displays, not for the Community's own sustenance, to achieve self-reliance, for its own long-term benefit.

Recognizing only one organization, in one single place, as Carib means that all of the descendants of Trinidad's Indigenous Peoples, spread throughout the country, go unrecognized.

The Caribs have been boxed up. The state mounts an implausible explanation to the United Nations: that all Caribs died off, except for in Arima, only one of over a dozen mission towns to have existed.

If before the only real Carib was a pure Carib, and the only pure Carib was a dead Carib...today that has become:

"The only recognized Carib is an Arima Carib."

Otherwise, the state dares not to even speak the name Carib, Warao, Indigenous, Amerindian, or First Peoples on the national Census.

And so the struggle continues...
Closing with a collage of members of the Carib Community throughout history.

21 July 2011

SANTA ROSA, by Melan Garcia


SANTA ROSA, by Melan Garcia from Maximilian Forte on Vimeo.


Lyrics (by Melan Garcia):
The Caribs are a peaceful people
This is what we know.

And Arima is the home of Caribs
From many years ago
Long ago.

So look back and I am sure that you will agree with me
That somewhere in your family you have Carib ancestry
Sing me with, now...

Santa Rosa
The feast that holds us all together.
Santa Rosa
Come sing you people from Arima.

Had it not been for the older folks
Then none of us would know
We wouldn't know...

Santa Rosa was found by three men
In that village called Pinto
In Pinto.

The three men were Raimundo, Punyan, and Puyon.
So now you see, my people, this is history put in song.
Sing along, with:

Santa Rosa
The feast that holds us all together.
Santa Rosa
Come sing you people from Arima.

Yes, we learned too that the hunter went back
To where the Saint was found
And on that very spot they found her necklace and her crown
And her crown...

The crown was made with roses of colours real distinct
That is why we use the colours of red, yellow, white, and pink.

What you think was...

Santa Rosa
The feast that holds us all together.
Santa Rosa
Come sing you people of Arima.

***** ***** ***** *****

Filmed by Maximilian Forte in September, 2006, at the cannon on Calvary Hill in Arima. The filming was done in late afternoon just as the sun was setting, and the camera faces south, overlooking the centre of Arima.

Melan Garcia, a well known parrandero from Calvary Hill in Arima, Trinidad and Tobago, in the past played with Los Tocadores and Rebuscar.

For many years he served as an Arima Borough Councillor, representing Calvary Hill, for the People's National Movement. He is also tied to the Carib Community and has Indigenous ancestry.

ARIMA WAS, by Melan Garcia




Lyrics (by Melan Garcia, originally transcribed by Guanaguanare)

In years gone by, this ent no lie
And I am sure you'll remember
Arima was a place with plenty water
We fertile soil, that and all spoil
We hardly getting good cassava
Quarries and farms polluting our rivers.

Chorus:
So let us try and see
If we could make Arima just like it used to be
Don't mind, don't mind, we population more
But is we, the Arimians, to make it like before
We have our duty to perform now because I'm sure
We'd like to see Arima just like Arima was. Woh oh ho
Yes, we have our duty to perform now because I'm sure
We'd like to see Arima just like Arima was.

The Spanish came and settled here
Along with peons from Venezuela
Together they did big plantations for we
Then came the French and Africans
Who accepted parcels of land
You see, Arima was always cosmopolitan. Yes, man!
1797 British came, planted their flag and left their name
In 1806 we got some Chinese too
East Indians joined up in the fun
Followed closely by the Syrians
That's true, Arima was one big pot of callaloo.

Chorus:
So let us try and see
If we could make Arima just like it used to be
Don't mind, don't mind, we population more
But is we, the Arimians, to make it like before
We have our duty to perform now because I'm sure
We'd like to see Arima just like Arima was. Woh oh oh
Yes, we have our duty to perform now because I'm sure
We'd like to see Arima just like Arima was.

Yes, Arima, this Easter star
Wallen bought a Dial and give her.
A gift you'll hardly find any other place
Them years ago was love for so,
But where the love gone, boy, I don't know
I think is since they open the Yankee base.

Oh, Arima, oh, Arima!
Like we heading for a disaster
I think is time we call upon The Master
Is endless crime, a waste of time!
Rape and robbery, even mass murder
Well, if it ent Sodom, well is Gomorrah.

Chorus:
So let us try and see
If we could make Arima just like it used to be
Don't mind, don't mind, we population more
But is we, the Arimians, to make it like before
We have our duty to perform now because I'm sure
We'd like to see Arima just like Arima was, Woh oh oh
Yes, we have our duty to perform now because I'm sure
We'd like to see Arima just like Arima was.

***** ***** ***** *****

Filmed by Maximilian Forte in September, 2006, at the cannon on Calvary Hill in Arima. The filming was done in late afternoon just as the sun was setting, and the camera faces south, overlooking the centre of Arima.

***** ***** ***** *****

Melan Garcia, a well known parrandero from Calvary Hill in Arima, Trinidad and Tobago, in the past played with Los Tocadores and Rebuscar. For many years he served as an Arima Borough Councillor, representing Calvary Hill, for the People's National Movement. He is also tied to the Carib Community and has Indigenous ancestry.

16 July 2011

On the Passing of Rose Janniere, Former Mayor of Arima, Friend of the Carib Community of Trinidad

Rose Janneire, at Balisier House, on Republic Day 1998.
Photo 
© Maximilian C. Forte.
I was sadly surprised to learn of the passing of former Arima Mayor, Rose Janniere, from reading the Trinidad news this morning. She passed away on Thursday, 14 July, 2011. I first met Rose Janniere about 16 years ago, in 1995, at the Carib Community Centre, when she was then Mayor of Arima and closely associated with the Santa Rosa Carib Community. Janniere was the first, and only, woman to have become Mayor of Arima. In the years that I did my research with the Caribs (1995, 1998-1999, 2001-2003, 2006) I would meet her very often, especially as my research expanded to include the Arima Borough Council where she sat as an Alderman next to Ricardo Bharath Hernandez, head of the Carib Community. She was for a long time a staunch promoter of the Carib Community. Like Ricardo, and most members of the Carib Community, she was also a loyal supporter of the People's National Movement and, if I recall correctly, had at one time been the secretary to Dr. Eric Williams, and later was the Public Relations Officer for the PNM. Thanks to her, I was able to attend and document the PNM's celebration of Republic Day in 1998, where I saw how Trinidad's Caribs were prominently featured (in part due to the work of Rose Janniere), and where I also met Patrick Manning, then Opposition Leader. Later Rose Janniere also became active in the National Association for the Empowerment of African People (NAEAP), which today has also written its condolences:
The National Association for the Empowerment of African People (NAEAP) joins the nation in recognizing the many services Ms. Janneire rendered to the nation. Ms. Janneire joined NAEAP in 2000, two years after it was founded, and worked arduously with the organization to transform the landscape of African people in this country. She served as a trustee in the organization and for many years controlled the finances of the organization.

For most of her eleven years in NAEAP she was the chairman of NAEAP’s Annual Emancipation Dinner and made sure she found the finances to run NAEAP’s day school. She served conscientiously in these roles and gave of herself unstintingly to make NAEAP a better organization. That is why NAEAP members such Oscar Gooding, Marcia Toney, Marion Simmons and Annette Valdez took care of Ms. Janneire in the final days of her life while her daughter lived in Barbados and her son served as a priest in New Jersey.

NAEAP regards her as faithful servant who worked hard to advance the cause of African people in Trinidad and Tobago. We thank her for such services on behalf of the black community. Selwyn R. Cudjoe, President of NAEAP says of Ms. Janneire, “She was a good and faithful servant who served her nation well. We will all miss her as an organization.” NAEAP will not hold its annual Emancipation dinner this year in respect for the life that Ms. Janneire’s lived. We will use the time to reflect on the many contributions that she made to her country.
Even via NAEAP, Rose Janniere continued to support the Carib Community, and once again it was thanks to her that I met Dr. Selwyn Cudjoe who came and advised at various community planning meetings in the Carib Centre. Rose Janniere became a Senator, and from that point I do not think I saw her again. While we certainly had our differences, I must say that Rose always showed herself to be very gracious and kind in my regards. I am certain that her loss is felt not just by her family, but also by many people in the Carib Community, not least of whom is the current Carib chief.

Rose welcoming the Caribs as they enter the Church for the Santa Rosa Festival
Rose dancing with Cristo Adonis of the Carib Community
Rose and the author of this post, at the Carib Centre in August of 1998


Rose Janniere dies from pancreatic cancer
First published in the Trinidad Express
Story by Anna Ramdass
Jul 16, 2011

Former mayor of Arima and member of the People's National Movement (PNM) Rose Janniere is dead.

Janniere died on Thursday at the Port of Spain General Hospital from pancreatic cancer.

Opposition Leader Dr Keith Rowley, in a statement yesterday, described Janniere as a "servant to the people of Trinidad and Tobago".

"As a member of the PNM, Ms Janniere served in the constituency of Arima as Deputy Mayor from 1983 to 1987 and as Mayor from 1992 to 1996. She was actively involved with the Carib community and also served on the management team of Arima United Sports Club," stated Rowley.

He further noted that Janniere gave yeoman service to the PNM as assistant general secretary, public relations officer and a member of the Women's League.
"Her public career saw her act as a senator between 2002 and 2007. She also served as a director of the Port Authority and, up to 2010, was employed at the Airports Authority of Trinidad and Tobago," stated Rowley.

He added, "Rose Janniere was a tried and true servant of the People's National Movement and, by extension, the people of Trinidad and Tobago. On behalf of the PNM family, it is with a great sense of loss and sadness that I extend sincere condolences to the family and friends of Ms Janniere. May she rest in peace."

PNM general secretary Ashton Ford told the Express he had known Janniere for a very long time and praised her for her service to party and people.

"I worked with her when I was a member of Parliament. She became a councillor and moved on to be the first female mayor of Arima. She was well loved and served the party at all levels," said Ford.

He added that Janniere was a people's person who was actively involved with the sporting community and loved Carnival and playing mas.

He also pointed out that Janniere was instrumental in having the statue of Calypso King "Lord Kitchener" erected in the country.

Arima Mayor Alderman Ghassan Youseph also expressed sympathies to Janniere's family, adding that a condolence book will be opened at Arima Town Hall for all Arimians who wish to pay their respects.

He said the Council will be in contact with the family to determine what role the Council can play in the funeral arrangements.

"On behalf of the Council and staff of the Arima Corporation, and all Arimians, and on my own behalf, I extend condolences to the family of the late Rose Janniere, especially her mom Ms Rose Hilibrand and children Mrs Natasha Lashley and Fr Nigel Mohammed," Youseph said in a press release.

He pointed out that Janniere, who came from a well-known Arima family, served Trinidad and Tobago and the Arimians, as Mayor of Arima, for almost four years, between 1992 and 1996.

"Ms Janniere's passing is a sad loss for the borough of Arima and all of Trinidad and Tobago," he added.

04 July 2011

Eurocentric Prejudice Still Taking Command of Carib History

One can go over to The Official Site of the CHAGUARAMAS DEVELOPMENT AUTHORITY to catch a glimpse of how racist, elite Trinidadians like to put their ignorance on display for the whole world to marvel at. In particular, this gem of colonialist lore is reproduced:
Before European explorers landed on the Caribbean islands, peaceful tribes of Amerindians called the Arawaks inhabited the entire Caribbean archipelago. Generous and open where these people that they embraced the Spaniards and bestowed every comfort for the Spanish explorers. Ironically since the arrival of the Spanish these people were mistreated and many died from diseases, within a few decades it was belief that there were no Arawaks left.

There was another another Amerindian tribe, a fierce tribe known as Caribs. This tribe pounced on the Arawaks and were known to be cannibals (eaters of human flesh). The Caribs had devoured their way up the Caribbean islands.
Did you get that? Peaceful tribes, who welcomed the Spaniards--no resistance against colonialism, thus the first myth in this piece of tripe appears. The second myth is that there was a total extinction. The third myth, is to blame genocide on the Caribs, "fierce" as they were--poor Europeans, they were mere spectators, having passed through the Caribbean as part of their yachting exercises. The fourth and ugliest myth, the Caribs devoured people, eating their way through the Caribbean.

No amount of "development" is going to help people who, in 2011, are still repeating the vulgar obscenities and colonial justifications of 1492. Development without education, and without decolonization, is just the accumulation of stuff, another way of superficially mimicking the white man even while repeating the filth that few Western scholars would be caught dead saying today.

28 June 2011

Parang in Lopinot, Trinidad: La Cruz de Mayo

The first parang band I had ever interacted with in person was Cristo Adonis' "Los Niños del Mundo" on Calvary Hill in Arima, Trinidad. Cristo Adonis is the shaman of the Santa Rosa Carib Community, and all of the members of the band were also members of the Carib Community. Then I found out that yet another band was also associated with the Carib Community, that being "Los Niños de Santa Rosa", managed by Jacqueline Khan, then Secretary of the Santa Rosa Carib Community. Moreover, for celebrations of the Caribs' annual Santa Rosa Festival, prominent and popular parang bands were invited to play at night in the Carib Centre. From this I proceeded to learn more about parang and how it fits in with the notion of Carib resurgence, specifically in connection with the Carib conceptualization of "maintained traditions." Clearly the history of parang exceeds the boundaries of indigeneity--the songs are sung in Spanish, and many of the songs are based on Catholic themes. However, the music has formed an integral part of the Amerindian mission experience in Trinidad, fortified by the arrival of mixed Spanish-Amerindian (mestizo) immigrants from Venezuela, many thousands of whom relocated to Trinidad between 1870 and 1920, and often intermarried with their kindred population of Spanish-Caribs in Trinidad.

One particular ceremony at which parang is performed is the Cruz de Mayo (May Cross), a ritual whose performance strongly mirrors the contemporary Santa Rosa Festival and was likely the source of its patterning. The Cruz de Mayo celebrates the month of Mary, and is also when the maypole is performed, which has even more significance for the Caribs as it was amalgamated into their traditions of weaving the sebucán, their cassava strainer (the dance around the maypole, weaving the ribbons together, is seen as mimicking the weaving of the sebucán).

Perhaps one of the most prominent historical figures in parang alive today is Clarita Rivas, a good friend of our family. She recently called to let me know that a performance of hers, for the Cruz de Mayo celebrations in Lopinot, had been filmed and uploaded to YouTube. She is also close to members of the Carib Community, and knows of my interest in parang. In that vein, I present the beautifully recorded videos below, produced by a friend of Clarita's friend, Maria Nuñes. Clarita is accompanied by the ever dynamic and engaging singer, Paul Hernandez.









Finally, I also found two videos (there are likely more) of Cristo Adonis performing parang, including at a previous Cruz de Mayo in Lopinot:





17 June 2011

Ricardo Bharath Hernandez, Chief of the Santa Rosa Carib Community, Speaking in Arima in 2008

Ricardo Bharath Hernandez is shown below speaking during the occasion of the eighth Amerindian Heritage Day, 14 October 2008, in Arima, Trinidad, and the week of events surrounding it. The speech took place in the Arima Borough Council. He welcomed several indigenous delegations, especially from Dominica, Suriname, and the United Confederation of Taino People. The Carib Community prepared a flyer/pamphlet, "Hyarima, Relentless Warrior," for the event.

Ricardo Bharath lists a series of demands/goals for helping to protect Amerindian heritage:
  • A once only public holiday to honour Amerindian history, which as the chief explains, represents a change of goals for the Carib Community, which previously had explicitly not sought a holiday--he feels that such a holiday would allow for nation-wide cultural events, expositions, parades, a rally, and reaching out all sectors of the nation, in order to "sensitize" and give "national visibility," gain greater recognition of the Carib Community, and aid it in attaining its vision; it is the only way for the government to make a major statement to the whole nation, and everyone would know why they have this holiday;
  • Chief Bharath refers to Suriname in noting that on the UN's International Day for Indigenous Peoples, that country has a public holiday;
  • Speaking on the "model Amerindian village," he calls for reflection on the past; he says the Carib Community is not asking for "compensation," but support for helping to develop themselves and preserve their unique history;
  • Chief Bharath thanks successive governments that have supported the Carib Community in many different ways, but does not want to rely on handouts, and does not wish to simply produce "cultural events" (dance, talks, etc.) that result in nothing tangible and lasting;
  • He emphasizes that the Carib Community does not seek to segregate itself, that it has always welcomed others with open arms, and as a testament to that fact it is a very "mixed" community;
  • He speaks of the First and Second UN Decades for the World's Indigenous Peoples, lasting to 2014, as an opportunity for government to do more to assist the local indigenous community--he notes that on 12 September 2007, the Government of Trinidad and Tobago voted in the UN General Assembly for the adoption of the UN Declaration of the Rights of Indigenous Peoples, which includes recognition and land appropriations, Chief Bharath uses this as a reminder to government;
  • Chief Bharath ends on a note of a common, Caribbean indigenous struggle.

16 May 2011

Funeral Ceremony for Trinidad Carib Queen Valentina Medina


The late Carib queen, Valentina Assing Medina, had three wishes. They were granted. Paying tribute to Medina, her daughter Loretta Medina-Grant said, “She wanted a pink rose in her hair. She also asked to see several people including Senator (Penny) Beckles (who read her eulogy), and Councillor Metevier. She especially asked for Msgr Christian Perreira to do her service.” The celebration and thanksgiving for the life of Medina, fondly known as Mavis, took place at the Santa Rosa RC Church, Arima, on April 29. Among those present were acting Prime Minister Winston Dookeran, Minister of Arts and Multiculturalism Winston Peters, and president of the Santa Rosa Carib Community Ricardo Bharath.

Lopinot/Bon Air West MP Dr Lincoln Douglas and chair of the Amerindian Project Committee Vel Lewis were also present. As a lagniappe, she was sent to the Great Spirit via a traditional Amerindian ceremony at the nearby Santa Rosa cemetery. Leading the cortege, was flagsman Peter Diaz. The strains of Pedro Lezama’s saxophone were replaced by the infectious sounds of traditional parang which permeated the landmark kirk. From vantage points at the Santa Rosa park, mourners, including filmmaker and journalist Tracy Assing, watched the celebration unfold. Delicate poui blossoms formed a purple carpet closer to the boys’ school. The cortege was en route to God’s acre to bid their final rites to Medina. Another famous Arimian, calypsonian Aldwyn Roberts, fondly known as Lord Kitchener, was buried there.

Clutching palm fronds, members of the Carib clan decked in traditional vestments followed reverently. Their pretty faces were wreathed in smiles. Retired Spanish teacher at Arima Government Secondary School, Beryl Almarales, was spotted. She was joined by Jennifer Cassar, Antonia and Catherine Calderon, Maria Hernandez and Mary Noreiga. Elders, including Ramona Lopez and Metrina Medina, paid their final respects.

Even the menfolk such as Partners for the First Peoples, Roger Belix, donned waistcoats etched with bird figurines. As they wended their way, traditional Arima families like the Martinez clan watched the procession from their home—which was a blend of modernity and colonial architecture.

Amerindian ceremony send off
In the cool of the evening, Bharath and medicine man or shaman, Cristo Adonis, officiated at the smoke ceremony. They were assisted by her grandson Zachary Medina. Among those present were Arima Mayor Ghassan Youseph, and Arima MP Rodger Samuel. The aroma of forest incense wafted. Mourners coughed, and some retreated as the fire blazed. Under the boughs of a mango tree, neighbours espied the religious spectacle. Quizzed on the ceremony, Bharath said, “It is a smoke ritual. But it has different components to it. It is done in begging for a request from the Great Spirit. It is done in thanksgiving and at the death of someone. Depending on the ceremony, you will use different ingredients. In the case of death, we used tobacco, incense and some medicinal herbs.”

During the ceremony, Bharath said, “We prayed to the Great Spirit (Tamushi) to allow the guardians of the four directions to guide the soul of the departed to find rest and peace. It was simpler in the send off.” As custodians of the environment, Bharath said he prepared the incense from trees growing in the forest. “We use what is indigenous to the area. We get if from the gum trees in the forest.” Earlier on, in his tribute, Bharath had lamented that several traditions had died. “In the earlier days, they would have placed tools or what the person used in life. “If it was a medicinal man, they would have put herbs. If it was a hunter, they would have put his bow and arrow. They might have even put some food. But some of those traditions we don’t practice. The heavy traditions have died,” he said. After the religious formalities, traditional paranderos shook their chac chacs and strummed their guitars as they celebrated the life of a proud Arimian, who was “humble, dedicated, caring and loving.”

Santa Rosa Festival
Throughout her reign, she remained devoted to Santa Rosa. Accompanied by Father Perreira, Medina led the procession through Arima. The statue of Santa Rosa, was decked with rows of beautiful roses and a bouquet of red roses, perfected by whites, pinks and yellows. The celebrants sang hymns and chanted the Our Father. The Carib community and other participants clutched tropical blooms like anthuriums, ginger lilies and roses.

Carib strides
During her tenure, the government declared October 14 as the official day of recognition. In 2006, T&T was given the chairmanship of the Regional Council of Indigenous Peoples. She expressed gratitude to Works Minister Jack Warner, George Hadeed and Mayor Youseph for their assistance. Bharath said he regretted her passing without witnessing the land handover. In a previous interview, (August 11, 2002) Medina said: “If we get the land we will plant cassava, corn, too. “We want a place for agouti and deer to run. It will boost our heritage and culture. “We do not eat people—only wild meat like agouti, deer and tattoo,” she had joked.

About Valentina Medina
Valentina Medina lived at Wattley Street, Mt Pleasant, Arima. In 2002, she was one of many indigenous peoples celebrated by the United Nations on International Day of the World’s Indigenous People. She was born to Clemencia Hale Assing and Thompson Hale Assing at Rapsey Street in Caura. She was the wife of the late John Medina. She was the mother of Loretta, Camilus, Octave, Herbert and Bernadette. Medina grew up in Paria, a very pristine neck of the woods, in Arima. She lived and worked there. She was Carib queen for 11 years. She felt it was a “special experience to be queen of the Carib community.” She was elected based on her knowledge and history and traditions of the Carib community. She was the fifth Carib queen in the history of the Santa Rosa Carib Community.

01 May 2011

Carib Identity, Racial Politics, & the Problem of Belonging

Carib Identity, Racial Politics, and the Problem of Belonging

by Maximilian C. Forte
Department of Sociology & Anthropology
Concordia University
April 2011

[For presentation at the conference, “Our Legacy: Indigenous-African Relations Across the Americas,” organized by the Race, Ethnicity and Indigeneity Program and the Centre for Feminist Research, York University, Toronto, Canada, 29 April-01 May 2011. The version that follows was intended for oral presentation.]

The resilience of Carib identity, in places such as Trinidad & Tobago, is something remarkable, not to mention the renewal, resurgence, and social revalidation of this identity. This resilience is remarkable not only when one considers a consistent pattern of European colonial military onslaughts, enslavement, expropriation of lands, and social marginalization, but also the cultural stigma historically attached to Caribness, such that even surviving Caribs, and persons with indigenous ancestry, often sought refuge in other identities, and some still do. Even if left at this the situation is clearly a historically complex one. What renders matters even more complex is the pattern of racial thinking imposed by European colonizers through all sorts of residential and labour segregations and legislation, that would control and delimit who was deemed to be indigenous. The introduction of foreign labour from Africa, the French Caribbean, and Asia, added to the administration of identities and the “rights” which the colonial administrations would allot to them, added to administrators' calculations of different racial valuations, with the aim of shoring up colonial dominance. Afterward, the rise of nationalism, independence, and the emergence of party politics organized along an ethnic divide between Trinidadians of East Indian and African descent, further cemented racial thinking. Then the recent, positive validation of Carib identity and history by leading elements of the wider society has taken place while leaving unresolved the question of where Caribs fit in within the large scheme of racialized divisions between the country’s two leading groups, East Indians and Africans. Thus “belonging” becomes a problematic issue, and here I will focus on the racialization of Caribness in order to highlight how Caribs “belong” to “the nation,” as well as the problem of who gets to be defined as Carib.

Race: A Non-Indigenous System of Categorization

In thinking about race and Caribness, I should probably start by talking about how racial thinking about Caribness emerged in the first place, since such thinking is not itself rooted in the indigenous cultures of the Caribbean. Ethnohistorians have already indicated the tendency of island Caribs to acquire European and African captives from Puerto Rico and other territories, and amalgamating them into their society, culturally adopting and assimilating them. By some accounts, the Caribs of early sixteenth-century Dominica were already to some extent a cosmopolitan mixture of peoples, yet all assembled under the label of Carib and all engaged in the lifeways associated with island aboriginals. From this early point, in other words, there is no evidence to suggest that race, and racial purity, were either indigenous concerns or part of a philosophy rooted in indigenous culture. This is not suggest that Caribs could or would not find various ways to exclude others; rather, it is that they did not exclude others on a basis that we could in any way identify as racial. In the case of Trinidad specifically (Tobago largely lies beyond the scope of my work, and remained a separate colony until the late 1800s), we see a similar pattern of intercultural and interethnic amalgamation, between long-time Spanish settlers and indigenous inhabitants, in an underdeveloped colony long neglected by Spain. While there is no doubt that the indigenous population acquired some of the cultural practices and beliefs of their Spanish cohabitants, what is most often remarked upon is the housing, dress, and material sustenance of the Spanish settlers, as barely distinguishable from that of the aboriginals. This Spanish-indigenous fusion became formed to the extent that even today, many of those who could be called Carib, and who in different situations identify themselves as Carib, go by the ethnic label of “Spanish” or “Payol” (from Español). By the end of the Spanish colonial regime at the end of the 1700s, with Britain's occupation of Trinidad, and the arrival of French Caribbean planters and their slaves, ideas of racial hierarchy, exclusion, and concerns with purity then came to the fore. 

The Colonial Administration of Race

Under British domination in the nineteenth century, and administering a territory remade into one that was predominantly an African slave colony, quickly followed by emancipation and the importation of indentured labourers primarily from India, we clearly see in government records, and in the writings of the local elites that produced the first historical and social commentaries on the island, a definite concern with assigning particular “kinds” of people—racial kinds—to particular commercial crops, in particular zones of the island, and under very different labour regimes. By this time, most of the surviving indigenous communities had been relocated and confined to missions run by the Catholic Church. Africans and then Indians were assigned to the production of sugar, while aboriginals were engaged in the cultivation of cocoa, coffee, and root crops (primarily for local consumption). For the first four decades of British rule, Africans were enslaved. Amerindians on the other hand were free labour. Both were confined populations: Africans confined on sugar estates, and Amerindians confined to missions. After the late 1830s, Africans moved off the plantations and formed the basis for an urban work force. East Indians who replaced Africans were also assigned to sugar estates in south and central Trinidad, and as indentured labourers their labour was coerced—until the end of their indenture contracts, when most opted to remain in Trinidad and acquired plots of land as part of their contract. Yet another group of free labourers came with a large influx of Venezuelan mestizo and Amerindians from the 1870s to the 1920s, who blended in with local Amerindians, and local mestizos (the so-called Spanish people of northwestern Trinidad)--and who by that time had been divested of their collectively-owned mission lands.

There were thus specific colonial conditions under which “Carib” was allowed to exist, for a time: to Caribness were attached rights to collective, inalienable land; nominally free labour; residential exclusivity; and, of course, the prospect of Christian redemption. Under colonial administration, these rights were relatively unique, and second only to those of the small white population. In this crucible, where the British ranked and scaled peoples according to their material rights and economic obligations, race became the favourite way to normalize and naturalize, and to ideologize identity.

Colonial Exclusions: Purity and Liberty, Land and Labour

Under the colonial regime, who got what was determined according to a finely graded scale of racial identity. Those who were white, and closest to being white, could expect property rights and ownership of their own labour, unlike African slaves, and unlike indentured East Indians. The “inferior peoples” were lower—as in subjugated and subordinated—in material terms, and kept that way for as long as practical, with the added injury of ideologizing their condition as one inherent to their natural biological properties. Keeping the races “pure,” thereby more effectively and efficiently administering who got what, was a paramount concern among the white ruling class. With white purity came white liberty. Obscurity (i.e. “mixture”) meant a decline into increasing “inferiority,” until a perverse new “purity” was designated: blackness and utter dispossession. No wonder then women, as gatekeepers to the next generations of offspring, became so critical to racial theorists and colonial legislators.

When it became desirable to dispossess the Amerindians of lands that were theirs, and were inalienable, the colonial project became one of defining them out of existence, so that their lands could be put up for sale. No purity meant no Amerindians which meant no Amerindian lands. Residence in the Mission of Santa Rosa in Arima was determined by race: mixed-race offspring were no longer bound to the mission and could not in the future lay any claim to the mission lands. It mattered not that they were raised by Amerindian mothers, and may have identified themselves as Amerindian, what mattered was their “racial mixture.”

From this point, writers began to produce various theories/myths of Amerindian extinction in Trinidad, that worked to bolster and justify the dominant order based on expropriating collective lands, further private property ownership, and realigning northwestern Trinidad with the increased demand in the world market for cocoa. As their land became more valued by private interests supported by the state, and with increased labour competition from new influxes of immigrant labour, smudging the Amerindian out of existence became opportune.

One of the dominant myths of extinction, wrapped in terms of the then dominant evolutionism, had to do with extinction via miscegenation, a purely racial argument. No “pure” Amerindian equals no Amerindian. One of my favourite quotes in this regard comes from an historiographic text published in 1858 with a lot of material about Trinidad’s aboriginal population (specifically: De Verteuil, L. A. A. 1858. Trinidad: Its Geography, Natural Resources, Administration, Present Condition, and Prospects. London: Ward & Lock, p. 172):
“At present there cannot be above 200 or 300 Indians in the colony, so that the aborigines may be said to be almost extinct….finally sunk under the ascendancy of a more intelligent race….but I also coincide in opinion with some judicious observers, who trace the approximate extinction of those tribes to the marked presence manifested by the Indian women towards the negroes and the whites, by whome they were kindly treated, whilst they were regarded by their husbands, of kindred race, more as slaves and beasts of burden, than as equals or companions. As a consequence of those connections, there exists at present, in the colony, a certain number of individuals of Indian descent, but of mixed blood.”
Mixed blood. Approximate extinction. The liberation of their women. The preference for men of other races. There it is, neat and simple, all in one mythological package.

The Rule of Race: National Independence and Party Politics

With Trinidad's achievement of self-rule in 1956, and eventual independence in 1962, the country witnessed the organization of political support along ethnic lines, with two parties traditionally vying for power, one dominated by urban African-descended Trinidadians, and the other by more rural, East Indian-descended Trinidadians, locked for decades now in a virtual Cold War.

Long in power, the African dominated People's National Movement (PNM) cultivated patron-client relationships to ensure electoral support, and one of its clients was the Santa Rosa Carib Community in Arima, which it pushed toward formal incorporation and official recognition beginning in the mid-1970s. Members of the Carib community not only live in close proximity with Afro-Trinidadians, with Arima long a bastion of support for the PNM, but have also intermarried with them. This does not mean to say that one can never hear stigmatizing statements against Africans from members of the community, but then that would be true in an Afro-Trinidadian community as well. Those that seem most alien to members of the Carib community, especially the older generation, are East Indians—one going as far as scornfully referring to East Indians as “that other nation,” a strong statement which I had not before encountered in my time in Trinidad. Nonetheless, members of the Carib community have also intermarried with persons of East Indian descent.

To some extent, at least for some members of the older generation of Caribs (those over 50 years of age), “racial mixture” is a problem when it comes to asserting an identity as Carib. Commonly, they are forced to answer what is virtually an accusation, that they are not “pure.” For some, they take on the problem and accept its terms, repeating what are now the official rules of the society—the propaganda about racial purity—even while their everyday customary practice runs counter to the rules. What remains unsettled is Carib as a cultural identity, not a racial one, and it is extremely difficult to convince a Trinidadian audience that culture is not something that is “in the blood” and can be seen on one's face.

What Makes a Carib?

For most members of the older generation, a Carib is someone with proven ancestry to the Amerindians of Arima. Kinship matters foremost. Caribs are those you know as Carib, have always known to be Carib, and who were referred to by others as Carib. This seems relatively simple and unproblematic, except that it covers over the routine exclusions of those who were “too dark” to be considered “real” Caribs. It is still not uncommon to hear members of the community refer to someone, casually and informally, as a “true” or “pure” Carib, based entirely on that person's appearance. The concept of a “Black Carib” is a novel innovation for Trinidad, even if in St. Vincent it dates to the 1700s, and even though some members have Vincentian Carib ancestry.

One of the challenges of identity and belonging, taken up with greater vigor by the Carib community, is to realign Caribness with the practice, beliefs, and lifeways that mark indigenous belonging. This is a big challenge to the dominant way of understanding identity, one that may contribute to efforts elsewhere in the society to overcome race by transcending it. While some members of the community told me that a Carib is someone with a specific genealogy, others also held that Carib is something one feels, a sense of being rooted here, or being totally at home in the nation's forests, mountains, rivers, and beaches—where there is no other place that beckons. 

Everyone Has Some Carib in Them

Rather than simply leave things at “Caribs are mixed with,” say, Africans, spokespersons for the Carib community have tried to take their discourse further, by flipping the direction of the narrative of mixture. Capitalizing on an institutionalized discourse of national identity, national belonging, and official depictions of Trinidad as a mixed, cosmopolitan, or creolized society, Carib spokespersons will not deny that they are an amalgam of the wider society's multiethnic influences—instead, they will assert that there is, as a result, “some Carib blood” in everyone else. The late Elma Reyes, a research and public relations officer for the Santa Rosa Carib Community wrote an extensive newspaper article that argued this very point. Carib Breweries, which appropriated the name of the people, and for a while even funded the Carib community, subsequently used this phrase as a marketing slogan. Culture is still objectified as race, as a biological essence, but at least the diminishing zone of exclusion around Carib identity is disrupted. Rather than argue in terms of “decline,” now the argument is about diffusion and dissemination, about the rural lifeways of many Trinidadians, East Indians and Africans, having been shaped and influenced by those of the Caribs, and thus perpetuated. Rather than extinction via miscegenation, this is survival via miscegenation. The problem remains one of arresting common, everyday, and taken for granted practices, and reassigning a Carib label to them.

Bibliography

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